Transformations of Circe: The History of an Enchantress
By: Judith Yarnall
Publisher : UNIVERSITY OF ILLINOIS PRESS; 1st edition (15 January 1994)
Language : English
Paperback : 256 pages
ISBN-10 : 0252063562
ISBN-13 : 978-0252063565
Beginning with a detailed study of Homer's balance of negative and positive elements in the Circe-Odysseus myth, Judith Yarnall employs text and illustrations to demonstrate how Homer's Circe is connected with age-old traditions of goddess worship. She then examines how the image of a one-sided "witch," who first appeared in the commentary of Homer's allegorical interpreters, proved remarkably persistent, influencing Virgil and Ovid. Yarnall concludes with a discussion of work by Margaret Atwood and Eudora Welty in which the enchantress at last speaks in her own voice: that of a woman isolated by, but unashamed of, her power.
By: Judith Yarnall
Publisher : UNIVERSITY OF ILLINOIS PRESS; 1st edition (15 January 1994)
Language : English
Paperback : 256 pages
ISBN-10 : 0252063562
ISBN-13 : 978-0252063565
Beginning with a detailed study of Homer's balance of negative and positive elements in the Circe-Odysseus myth, Judith Yarnall employs text and illustrations to demonstrate how Homer's Circe is connected with age-old traditions of goddess worship. She then examines how the image of a one-sided "witch," who first appeared in the commentary of Homer's allegorical interpreters, proved remarkably persistent, influencing Virgil and Ovid. Yarnall concludes with a discussion of work by Margaret Atwood and Eudora Welty in which the enchantress at last speaks in her own voice: that of a woman isolated by, but unashamed of, her power.
By: Judith Yarnall
Publisher : UNIVERSITY OF ILLINOIS PRESS; 1st edition (15 January 1994)
Language : English
Paperback : 256 pages
ISBN-10 : 0252063562
ISBN-13 : 978-0252063565
Beginning with a detailed study of Homer's balance of negative and positive elements in the Circe-Odysseus myth, Judith Yarnall employs text and illustrations to demonstrate how Homer's Circe is connected with age-old traditions of goddess worship. She then examines how the image of a one-sided "witch," who first appeared in the commentary of Homer's allegorical interpreters, proved remarkably persistent, influencing Virgil and Ovid. Yarnall concludes with a discussion of work by Margaret Atwood and Eudora Welty in which the enchantress at last speaks in her own voice: that of a woman isolated by, but unashamed of, her power.
